Wes Anderson is a... particular sort of filmmaker. With his typewriters and his pipe smoking. With his monochrome sets and props and costumes. With his perfectly symmetrical compositions. The one place where Anderson's tweeness is maybe softened a bit is in his old-school, stop-motion, animal-centric animated films. There was Fantastic Mr. Fox. And now there's Isle of Dogs. Dogs isn't without its own problems, though. The Nose weighs in.
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