This week Yasmin and I endure Andrew Dominik’s much over-hyped Netflix #content Blonde, a fictional passion play “about” Marilyn Monroe, based on the novel by Joyce Carol Oates. Our reactions are analytical and emotional, and we work out the intense feelings about celebrity, power, and gender brought up by the film’s often absurd provocations. And by the way, what are the gender dynamics at work here? Is this Andrea Dworkin sex-negative feminism disguised as arthouse shock therapy, or a brilliant, radical take on fame and desire? One thing we can agree on: Marilyn deserves better.
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