We are superconductors with Deena Abdelwahed, 3Phaz, Aïsha Devi and débruit

Deena Abdelwahed, 3Phaz, Aïsha Devi and débruit discuss the effect of using computers when writing music, dealing with the press and their labelling, and converting studio music into a live set.

Deena Abdelwahed is a producer and DJ from Tunisia. She arrived in France at the age of 26 after earning her stripes in the Tunis scene as part of the Arabstazy collective. She has played for Boiler Room, and at iconic Berlin club Berghain.

3Phaz is a Cairo-based DJ obsessed with bass, distortion, and the deconstruction of the Shaabi aesthetic. If you don’t know it, Shaabi is an Egyptian musical genre coming from working-class roots and is the core of popular music in the country's streets. His self-titled debut album came out in 2020, and he describes his music as “post-Shaabi”.

Aïsha Devi is a Swiss-Nepalese producer who co-founded the experimental club label Danse Noire. She applies meditation techniques in her approach to production, and describes herself as a “radical alchemist”. Her latest release was her EP S.L.F. (Spirit Liberation Front) in 2019, and she won the Swiss Music Prize in 2020.

Xavier Thomas, aka débruit, is a French artist and musical explorer who imagines alternate worlds and the way they'd sound from his adopted home of Brussels. He explores complementary culture clashes, combining elements that have never existed together before. He’s also part of KOKOKO!, a collective born in Kinshasa, in the Democratic Republic of Congo.