German-born British composer Max Richter tells John Wilson about his earliest musical influences, including the revelatory experience of first hearing Bach’s Double Violin concerto. He reveals how, growing up in Bedford in the early 1970s, a contemporary music-loving milkman would deliver albums by the likes of Philip Glass, John Cage and Steve Reich, musicians who helped inspire Max to pursue his interest in composition. He recalls the raw energy and political engagement of punk bands like Stiff Little Fingers and The Clash whose gigs he saw as a teenager; and how hearing German synthesiser-pioneers Kraftwerk on a BBC nature documentary sparked his interest in electronica. Max also pays tribute to the Italian composer Luciano Berio who tutored Max in Italy and honed his compostional skills.
Max Richter is one of the world’s most successful contemporary composers, selling more than a million albums and clocking up over a billion streams. His melodic, evocative compositions have been heard in television soundtracks and films scores, including Arrival, Shutter Island, Mary Queen of Scots, Bridgerton and many more. His albums include Memoryhouse, The Blue Notebooks, the eight hour long composition Sleep, and Recomposed which reworked Vivaldi’s Four Seasons. He has also composed for theatre and ballet.
Producer: Edwina Pitman