Noel and Liam Gallagher, the legendary brothers behind Oasis, reveal their plans for a reunion tour in 2025, igniting excitement among fans. They share their thoughts on ticketing controversies and the emotional bonds people have with their music. The discussion extends to toxic fandoms, where they address the invasive nature of modern celebrity culture and the fine balance between fan engagement and personal boundaries. Plus, insights on Apple’s struggles in film production add an intriguing layer to the dialogue.
Oasis's reunion tour has reignited discussions on controversial dynamic pricing, reflecting financial exploitation concerns amid nostalgic fan demand.
Chappell Rhone's remarks about toxic fandom highlight the dangerous entitlement fans can feel, impacting the artist-fan relationship in the digital age.
Apple's struggles in the film industry reveal a tension between high-budget productions and the need for sustainable distribution strategies amidst financial losses.
Deep dives
Oasis Ticketing Controversy
The recent reformation of Oasis has sparked significant conversation around their ticketing strategy, particularly the implementation of dynamic pricing for concerts. Fans experienced chaos and frustration as the ticketing websites crashed during pre-sales, leading to tickets originally priced at £148 being listed for as much as £355. This pricing model, often criticized for being exploitative, also raised questions about its transparency and whether Oasis management truly could enforce resale restrictions. The sheer demand for tickets indicates a strong nostalgic attachment to the band, yet many fans are left feeling disillusioned by the experience, suggesting that the excitement may be overshadowed by a growing sense of avarice in the live music industry.
The Changing Nature of Fandom
The discussion around toxic fandoms highlights the evolving relationship between artists and their supporters, especially in the era of social media. Chappell Rhone's recent assertion of needing boundaries with fans has ignited a backlash, illustrating how entitlement can manifest among some segments of fanbases. Historically, fandoms provided community and support; however, the centralization of online spaces has amplified negative behaviors and perceptions of ownership over celebrities. This situation parallels the experiences of other public figures, such as Shonda Rhimes, who have expressed fears regarding personal safety as obsessive fan behaviors have increasingly crossed lines.
Apple's Financial Struggles in Movie Production
Apple's foray into the movie industry has resulted in significant financial losses as they grapple with the challenges of theatrical releases versus streaming opportunities. The company's high-budget productions, including films starring A-list actors Henry Cavill and Brad Pitt, have often failed to recoup their costs, leading to a reevaluation of their distribution strategies. With pressures mounting not only to release high-quality films but also to maintain a reputable brand image, Apple has resorted to bypassing theatrical releases altogether for some productions. This shift raises questions about the sustainability of their investment in film amid fears of public disappointment with box office performance, presenting a conundrum that risks alienating their audience.
The Complexity of Celebrity Fame
The dynamics of celebrity fame and public perception have changed dramatically, with modern artists like Chapel Rhone attempting to redefine acceptable boundaries with their fanbases. Rhone's candid discourse about predatory fan behavior sheds light on the often unacknowledged pressures faced by successful figures in the public eye. Conversely, historical figures like The Beatles experienced a different manifestation of fame, showing that the stresses of celebrity have always existed but are now exacerbated by technology and social media. Celebrities today navigate these complexities while trying to balance their artistic identity and the immense scrutiny that comes with fame.
Shifting Expectations of Artists
The expectation of artists to engage with fans continually has evolved into a convoluted relationship where many feel the need to assert boundaries. Rhone's statement emphasizes that, despite being performers for the public, they are not obligated to entertain or interact on-demand outside of their professional roles. This sentiment extends to concerns regarding privacy and safety as artists grapple with overwhelming attention that can veer into invasive territory. Thus, the conversation encourages an examination of what it means to be a fan, pushing for a more respectful and understanding interaction between artists and their audiences.
If you missed it, Oasis are back. Noel and Liam Gallagher appear to have buried the hatchet and reformed one the UK's seminal bands for a tour in 2025. Tickets for said tour sold-out but note without controversy. Richard and Marina discuss the ticketing situation and the possible reasons for the Gallagher brothers to get the band back together.
'Wolfs' starring George Clooney and Brad Pitt seems to be another flop from Apple. Why are one of the world's biggest companies still making movies?
Finally this week we get into toxic fandom. Singer / songwriter Chappell Roan released a statement expressing her discomfort at the level of attention some fans believe they are entitled to. This has caused a bigger conversation within not only her own fans, but in the wider entertainment world about the access fans have, or expect.
Recommendations:
Marina: Beetlejuice (Streaming)
Richard: Freddie Flintoff's Field Of Dreams (iPlayer)
Executive Producers: Tony Pastor + Jack Davenport
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