Prison Breaking With Sarah & Paul S1 Ep15: S1E11: "Then There Were 7"
Apr 3, 2024
The hosts dive into captivating plot elements and representation in media, celebrating a successful Bechdel test pass. Key character developments and viewer reception are explored in 'Then There Were 7.' They share real-time rewatch insights and reflect on stage directions during flirtatious scenes. The complexities of humor in storytelling are discussed along with progress in gender representation. A new call-in feature for fan interactions is introduced, encouraging community engagement and input for bonus content.
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Stage Directions Set Tone
- Writers use stage directions to convey tone and mood to cast and crew, adding subtext beyond the dialogue.
- This creates a balance of tension and a playful 'twinkle in the eye' that enriches performances and the show's vibe.
Objectification in Stage Directions
- The phrasing "not just any legs, goddamn legs" reflects outdated male gaze and objectification in stage directions.
- Modern writers would avoid such language, as it sets an uncomfortable tone for cast and audience.
First Bechdel Test Scene
- Prison Break's first scene passing the Bechdel test features two women discussing prison funding, not men.
- This highlights progress in showing professional women with agency beyond romantic plotlines.