Ali Fisher, editor at Tor Books and member of Rude Tales of Magic podcast, joins as a guest to discuss editing. They focus on the challenge of finding the perfect length for a novel and how it affects publishing and pacing. Techniques for cutting or adding in manuscript revision are explored, along with techniques for adding length without disrupting the plot. Narrative summary's significance in storytelling is discussed, and a writing assignment is given to listeners.
Understanding the target readership and purpose of the story is crucial for making effective length-related revisions.
Exploring missing elements, reverse engineering the outline, and reviewing the use of narrative summary are techniques for lengthening or shortening a novel.
Deep dives
Considering Length in Novel Revision
When revising a novel, length is a crucial aspect to consider. The episode discusses how the length of a novel impacts its reception and marketability. Different genres and age categories generally have expectations regarding word count. For example, middle-grade novels tend to be shorter, while epic fantasy novels can be longer. Pacing is closely tied to length, and finding the right balance is important. The episode emphasizes that the ideal length of a novel depends on the intended emotional impact and the specific genre and category. It encourages authors to assess whether certain elements of the story, such as description or emotional depth, need to be expanded or condensed. Overall, the episode suggests that understanding the target readership and the purpose of the story is key to making effective length-related revisions.
Techniques for Lengthening a Novel
The episode offers various techniques for lengthening a novel. One approach is to explore the missing elements or aspects that were not fully fleshed out during the initial writing process. This might include adding more world-building, romance, or character arcs. Reverse engineering the outline can also help identify areas where additional scenes or descriptions can be inserted to enrich the story. Another method is to review the use of narrative summary, which can condense lengthy dialogue or show-not-tell moments. By summarizing certain scenes or events and maintaining a narrative flow, authors can effectively add volume to their novel. The episode also highlights the importance of assessing the necessity of each scene and character and being willing to make cuts if they are not vital to the overall story.
Techniques for Shortening a Novel
The episode also provides techniques for shortening a novel that exceeds the desired length. One simple method is to remove unnecessary scenes or side quests that do not significantly contribute to the plot or character development. The use of narrative summary can also help condense dialogue-heavy scenes or moments that do not require detailed depiction. By summarizing or referencing certain events instead of explicitly showing them, authors can effectively shorten their novel. Additionally, the episode suggests exploring opportunities for cutting load-bearing scenes by reverse engineering the outline and auditioning the impact of their removal. By reevaluating and adjusting signposts and bridging material, authors can successfully shorten their novel while maintaining narrative coherence.
Ali Fisher, editor at Tor Books and member of the podcast Rude Tales of Magic, joins us for a three-part series on editing.
First up: length! How do you edit your work—whether it's a book or a short story or a novella? Maybe you wrote a draft during NaNoWriMo, maybe you didn't-- either way, we want to help you figure out how to make your writing the perfect length.
Homework: Find two scenes next to each other from your writing. Remove the scene break and write bridging text between the two of them instead. Then, find a different scene that has that bridging text, and cut it into two different scenes so that you are removing it and creating new signposts. See what this does to length and your perception of the pacing.
Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and guest Ali Fisher. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.