Rian Johnson and Claire Denis talk about shooting a prison movie in space, the dark romance of L.A., good bread, shooting with yellow light, films that must be viewed in the dark, the romanticization of film stock, Tarkovsky’s Stalker, and the alchemy of cinema.
Los Angeles surprised Claire Denis with its size and diversity, with each district feeling different and enormous.
Claire Denis and Rian Johnson discuss the significance of color choices and lighting in setting the tone and atmosphere of their films.
Deep dives
Filmmaker Claire Deney discusses her impressions of Los Angeles
Claire Deney shares her experience of visiting Los Angeles, expressing surprise at the size and diversity of the city. She describes how each district felt different and enormous. Deney remarks on the necessity of driving on freeways to buy things, which was a new experience for her. She also mentions her previous trips to LA for film shoots and how her perception of the city has evolved over time.
Ryan Johnson and Claire Deney discuss the use of color in filmmaking
Ryan Johnson and Claire Deney engage in a conversation about the use of color in their respective films. They discuss the difference between shooting on film and digital, and how the reaction of colors can vary between the two mediums. Deney mentions the specific color palette used in her film 'High Life,' explaining the significance of different lighting choices and how they contribute to the overall tone and atmosphere of the movie.
Ryan Johnson and Claire Deney reflect on the process of casting and their approach to filmmaking
Ryan Johnson and Claire Deney explore the casting process and the importance of finding the right actors for their films. Deney shares her experience with casting Robert Pattinson in 'High Life,' mentioning the initial surprise she felt as she didn't expect a younger actor. They discuss the connection between an actor and a filmmaker, the use of a specific aesthetic or physicality in performances, and the ability of cinema to evoke emotional responses with minimal means.
Topics covered include: shooting a prison movie in space, the dark romance of L.A., good bread, why Claire went crazy working for Wim Wenders, films that must be viewed in the dark, shooting with yellow light, the romanticization of film stock, Tarkovsky’s Stalker, and the alchemy of cinema.
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