Writing narrative non-fiction with Dan Richards & Edward Parnell

In this episode of The Writing Life, we’re joined by writers and NCW Academy tutors Dan Richards and Edward Parnell to discuss the process of researching, writing, and publishing narrative non-fiction books.

Dan Richards is a writer and journalist who specialises in travel, memoir, and culture. He has taught at Bristol University, and currently tutors for NCW Academy. His book Outpost: A Journey to the Wild Ends of the Earth examines the appeal and pull of far-flung shelters in mountains, tundra, forests, oceans & deserts; landscapes which have long inspired adventurers, pilgrims, writers, & artists. His new book, Overnight, an exploration of nocturnal operations which replenish, repair and protect the world whilst most of us are asleep, is set to be published later this year.

Edward Parnell has an MA in Creative Writing from the University of East Anglia. He’s been the recipient of an Escalator Award from the National Centre for Writing, and has taught Creative Non-Fiction wish us since 2020. His second book, Ghostland: In Search of a Haunted Country, a work of narrative non-fiction was published in hardback in the UK during October 2019 by William Collins, and subsequently released in the UK and US in paperback in October 2020. The book was shortlisted for the PEN Ackerley Prize 2020 for memoir and autobiography.

Both Dan and Edward are tutors for our online tutored creative non-fiction courses, and you can find out when their upcoming courses with us by visiting nationalcentreforwriting.org.uk/academy/tutored-courses/

Together, they discuss their experiences researching and writing their books Ghostland: In Search of a Haunted Country and Outpost: A Journey to the Wild Ends of the Earth, the importance of being open to all subject manners and commission possibilities, and how writing non-fiction allows you to meet and connect with groups of people from various walks of life. They also touch on the ongoing editing process of writing non-fiction, the advantages of not writing in a linear way, and the differences in the process and pay of writing a non-fiction book compared to a fiction novel.