Zadie Smith, known for her breakthrough novel 'White Teeth' and her new novel 'The Fraud', discusses themes of fraudulence in storytelling, the parallels between the environmental crisis and 19th-century slavery, and reflections on writing and a novel in transition.
Zadie Smith's novel, The Fraud, seamlessly transitions between two centuries, bringing in elements of Victorian literature while addressing contemporary themes and the complex relationships between writers.
The Fraud critically examines the portrayal of the British Empire, its barbaric cruelty, and the moral contradictions within British society, emphasizing the importance of challenging ingrained beliefs, biases, and addressing past and present injustices.
Deep dives
The Fraud: A Novel Popping Between Centuries
Zadie Smith's new novel, The Fraud, explores fiction that seamlessly transitions between two centuries, bringing in elements of Victorian literature while also addressing contemporary themes. The novel delves into the author's professional and literary ancestry, as well as her personal connections to English and Jamaican cultures. It reflects on the notion of fraudulence in storytelling and examines the complex relationships between writers. The book intertwines different plots, including the story of an imposter in 1870s London reminiscent of Donald Trump, and features characters like Charles Dickens and George Eliot. Smith also explores the control and puppeteer-like nature of certain novelists, questioning the dangers of such power and manipulation. The novel tackles themes of political activism and the responsibility of writers in addressing social issues, drawing parallels between the historical cruelty of the British Empire and the current environmental crisis. It highlights the importance of taking action and creating just systems to counteract these injustices. The Fraud ultimately serves as a rallying cry for writers to use their voices to speak the truth and challenge dominant narratives.
The Complexity of British Empire and Writer Responsibility
Zadie Smith's novel, The Fraud, critically examines the portrayal of the British Empire, particularly in relation to its barbaric cruelty in places like Jamaica. It highlights the moral contradictions within British society, where the abolition of the slave trade coexisted with the brutal oppression and exploitation of enslaved people. The novel explores the reactions of 19th-century novelists to imperial slaughter, showcasing a range of perspectives. Some writers, like Charles Dickens, prioritized the rights and wellbeing of working-class individuals in England, while downplaying or dismissing the plight of enslaved people in the colonies. Others, however, recognized the interconnectedness of labor movements and empathized with the struggles faced by black Jamaicans. The novel emphasizes the need to challenge ingrained beliefs and biases, and to understand the full complexity of historical events. It also raises questions about the responsibility of writers in addressing past and present injustices.
Writing as a Form of Resistance and Independent Thinking
Throughout The Fraud, Zadie Smith explores the power of writing as a form of resistance and independent thinking. The novel encourages readers to embrace critical thinking and resist the constant influence of technology and societal pressures. Smith emphasizes the value of personal reflection and solitude, suggesting that individuals need to carve out a space in their lives to think independently and outside of established narratives. The book conveys the joy of writing and the ability to create unique perspectives and characters that challenge dominant norms. Smith makes a plea for more writers to engage in this form of resistance and to explore diverse topics, encouraging readers to trust their own thoughts and explore a range of literary works beyond the traditional canon.
Zadie Smith is a writer who matters, twenty years now after White Teeth, her breakthrough novel when she was just out of college. Her new one is titled The Fraud: fiction that pops in and out of two centuries. It can feel very Victorian and it can feel very 2023. Frauds, trials, disbelief abounding.
Think of Zadie Smith as the current title-holder in the glorious old lineage of English and American fiction, looking both forward and backward, and sideways, in this new novel about her professional family over the generations: literary ancestors and cousins in the game today. It can feel confessional at one moment, comical the next, stone serious before you’re done. Founders of the Victorian novel turn up in The Fraud. At the same time, she’s addressing the extended family of readers and writers today.
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