The Week in Art The destruction of Australia’s Aboriginal heritage
This week, we look at the destruction on 24 May of sacred Aboriginal sites in Western Australia by a mining company. We talk to Sven Ouzman, an archeologist and activist at the University of Western Australia about the most recent events and the wider context. Can anything be done to better protect Aboriginal country and Australia’s ancient heritage?
Also, this week, as a Russian referendum approves Vladimir Putin’s new constitution—a foregone conclusion, of course—we look at the Russia's alarming crackdown on artists.
And in the latest in our series Lonely Works, in which explore art behind the doors of museums closed due to Covid-19, we look at a work that will soon be lonely no more. The artist George Shaw tells us about Thomas Jones’s A Wall in Naples, which will be seen for the first time in more than three months at the National Gallery in London when it re-opens on 8 July.
Links:
Our full guide to gallery openings in UK, Europe and the US
Thomas Jones's A Wall in Naples at the National Gallery
The University of Western Australia's Centre for Rock Art Research and Management
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