Ep 249 - Musical Madness or Misfire? Analyzing Joker: Folie à Deux

Understanding "Folie à Deux": The film’s title translates to a “shared delusion,” a concept that plays out between Arthur Fleck (Joker) and his love interest, Harley Quinn (Lee). Geoffrey discusses how this theme might also reflect the relationship between the director’s vision and the audience’s expectations, which weren’t fully aligned.

A Shift in Tone: While audiences expected a Taxi Driver-style sequel, director Todd Phillips opted for a lighter approach through courtroom drama, with musical elements that felt unexpected and, for some, mismatched.

The Rules of a Musical & Why They Matter:

Character Songs: In traditional musicals, songs are a way for characters to reveal their inner emotions to the audience. Instead, Joker: Folie à Deux uses old Dean Martin songs, which detracts from creating an original inner voice for Arthur.
"Go Big" Moments: Musicals are known for large, engaging numbers, which this film only lightly touches upon, leading to a disconnect. In key scenes, the absence of elaborate choreography and background involvement makes musical moments feel understated.
Breaking Musical Conventions: Geoffrey points out that characters acknowledge their singing within the film, an unusual choice for musicals. Lady Gaga’s intentionally off-key performance as Harley adds a raw, almost amateurish quality that challenges the typical musical polish, creating a tonal inconsistency.

Courtroom Drama & Character Evolution:

The film ultimately revolves around a courtroom drama, where Arthur struggles with the question, “Who am I?” Each character in his life, from guards to Harley, projects their version of him, pushing Arthur to reclaim his true self.
Geoffrey relates this theme to his own experience writing a courtroom drama, noting the challenge of maintaining tension and pacing.
Arthur’s Journey: At the core of the film, Arthur's struggle is about identity and self-acceptance. Spoiler alert: Arthur’s arc reaches a natural conclusion when he finally accepts himself, leading to his death—a choice that sparked further debate among fans.

Audience Reaction:

Geoffrey reflects on the tension between audience expectations for Joker’s chaos and the director’s interest in a character-focused exploration. He poses the question: Should filmmakers deliver what fans expect, or tell the story they feel compelled to share?