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NEWS

New 'Black Cat' ongoing series launching August 2025
Age of Apocalypse returns! Teaser, details for 'The X-Men of Apocalypse'
'Wolverine by Chris Claremont' #1 announced
Chandler Poling - Uncanny Experience
Marvel mimics the MCU retitling 'Thunderbolts*' to 'New Avengers'
Marvel celebrates America's 250th anniversary with homage variant covers
New villain group Killuminati revealed in 'New Avengers' variant covers
'Giant-Size Spider-Man' #1 reveals preview with new hero Rapid
IDW announces 'Event Horizon: Dark Descent' prequel for August 2025
New heist series 'Cheetah and Cheshire Rob the Justice League' announced
‘All-Star Superman’ scores audiobook with full cast
Top 50 comics of April 2025

Our Top Books of the Week

Dave:

Resurrection Man: Quantum Karma #2 (Ram V, Butch Galice, Anand Radhakrishnan)
Absolute Superman #7 (Jason Aaron, Carmine Di Giandomenico)

Chris:

Jumpscare #3 (Cullen Bunn, Danny Luckert)
Resurrection Man: Quantum Karma #2 (Ram V, Butch Galice, Anand Radhakrishnan)

Standout KAPOW moment of the week:

Chris - The Amazing Spider-Man 3 (Joe Kelly and Pepe Larraz), Spidey and Itsy Bitsy Bridge Scene

Dave - All-New Venom #6 (Al Ewing, Carlos Gomez)

TOP BOOKS FOR NEXT WEEK

Chris: Supergirl #1 (Sophie Campbell, Tamra Bonvillain)
Dave: Exquisite Corpses #1 (James Tynion IV, Michael Walsh)

JUDGING BY THE COVER JR.

Dave: Phoenix #11 (Lucas Werneck)
Chris: Daredevil #21 (John Romita, Jr., Scott Hanna, and Marcio Menyz)

Interview: Scott Snyder talks Absolute Batman!

If readers were to read Absolute Batman alongside your original Black Mirror arc, what emotional or thematic throughline do you think would emerge? Is there a hidden continuity of self that ties those works together?

You've mentioned that Absolute Batman aims to confront contemporary fears. How do you balance integrating real-world issues like mass violence into a superhero narrative without it becoming overwhelming for readers?

This version of Bane is described as having a “true form” that’s finally revealed. Was there a moment early on in this series—or in your own Batman run—where you first imagined this version of Bane, or did he evolve uniquely within the Absolute Batman framework

Ark m in Absolute Batman seems less like a building and more like a state of consciousness. How did you want to reinvent the idea of 'asylum' in this story?

This series has played with identity, memory, and repressed trauma—common Snyder themes—but how has fatherhood and your recent creator-owned work influenced how you're writing Batman now, years after your first run?

You’ve said in past interviews that Batman is a character who builds. Does this arc tear him down in a way that still honors that core idea—or are you challenging that philosophy head-on?

With the Absolute line reimagining iconic characters, what can readers anticipate in future installments, and how do you envision the evolution of this universe?

The Year of the Leader | A Pre-Season Conversation with Brandon Stewart