Edmund Gordon, an expert on J.G. Ballard, discusses the writer's contradictions and conservative avant-garde blend. They explore Ballard's fiction goals, 'Ballardian' Empire of the Sun, and surrealism's impact on his work.
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Quick takeaways
Ballard's work blends conservatism with avant-garde, challenging societal norms.
Ballard proposed exploring inner space in science fiction for therapeutic creativity.
Deep dives
Ballard's Early Influences and Childhood Experiences
J.G. Ballard's childhood in the international settlement in Shanghai profoundly shaped his work. Trauma from the Japanese invasion influenced his imagery of drained swimming pools and abandoned houses. Discovering surrealism as a teenager and later science fiction while stationed in Canada, Ballard sought to translate the visually surreal into prose.
The Shift to Inner Space
In his manifesto 'Which Way to Inner Space,' Ballard proposed that science fiction explore inner space rather than outer space. He envisioned a liminal zone where imagination and reality intersect, allowing unconscious images to emerge in a realistic landscape. This approach aimed to provide redemptive and therapeutic power for the writer.
Balancing Vocabularies: Writing Style and Social Criticism
Ballard's work oscillated between being described as instinctive and dream-like to that of a social critic and moralist. This tension is evident in his novel 'Empire of the Sun,' which blends realist detail with social criticism. His later novels, like 'Millennium People,' continued themes of consumer culture and social unrest.
Legacy and Reception: From Controversy to Establishment Figure
After 'Empire of the Sun,' Ballard achieved mainstream success but retained an avant-garde perspective. His work, including the controversial 'Crash,' sparked debates and moral panics. Despite turning down a CBE, Ballard's social critique and surrealist influence left a lasting impact on literature and cultural discourse.
J.G. Ballard’s life and work contains many incongruities, outraging the Daily Mail and being offered a CBE (which he rejected), and variously appealing to both Spielberg and Cronenberg. In a recent piece, Edmund Gordon unpicks the contradictions and contrarianism in Ballard’s non-fiction writing, and he joins Tom to continue the dissection. They explore Ballard’s strange combination of ‘whisky and soda’ conservatism and the avant-garde, what he was trying to achieve through his fiction, and how ‘Ballardian’ Empire of the Sun really is.