Film critic and writer Andrew Plimpton returns to the pod to talk about one of the greatest American films of all time—Chinatown—which also happens to be a canonical film about the politics of energy. We dive into the film’s themes, noir as a genre, Jack Nicholson as a writer, and much more.

Nuclear Barbarians is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.