The cows take a drive with Abe and Agnes Callard (Philosophy, U. Of Chicago) and Ryan Clark into David Lynch's fantastical and depraved version of Los Angeles. What mysteries will they find in Club Silencio, or on the set of the Sylvia North Story? What explains the continued appeal of Lynch's absurdist masterpiece? How does he deploy narrative and filmic tropes to subvert his audience's expectations and what are we to make of the often frustrating and contradictory results?
Follow Agnes on Twitter and read her academic writing here; follow Abe on Twitter and Letterboxd.
