Werner Herzog Isn't The 'Wild Guy' You Think He Is
Dec 6, 2024
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Renowned filmmaker Werner Herzog shares insights from his memoir, 'Every Man for Himself and God Against All'. He highlights the importance of discipline over wildness in his creative process, debunking myths about his personality. Herzog reflects on personal experiences from post-World War II Germany and discusses the tension between creativity and madness while directing intense actors. With anecdotes that reveal his calm demeanor in crises, he emphasizes the role of memory and curiosity in shaping his unique storytelling approach.
Werner Herzog emphasizes the importance of discipline in filmmaking, countering the stereotype of being a reckless or wild artist.
His upbringing and experiences during World War II significantly shaped his curiosity and approach towards exploring extreme human narratives.
Deep dives
Exploration of Extreme Storytelling
Werner Herzog discusses his distinctive approach to storytelling, often focusing on extreme characters and situations. He emphasizes the metaphorical aspects of his films, such as the challenge of dragging a ship over a mountain, which reflects deeper themes of ambition and human resilience. Herzog argues that while he does not actively seek out danger, exploring limits is integral to understanding human nature and storytelling. His body of work, featuring memorable films like Aguirre, The Wrath of God and Fitzcarraldo, aims to reveal the complex layers of human experience through extreme narratives.
Personal Background and Resilience
Herzog's early life during World War II in Germany significantly influenced his filmmaking perspective. He recounts how his mother saved him from a bombed-out crib, which instilled a sense of curiosity about the dangers of the world. This profound sense of survival shaped his artistic voice, driving him towards stories that delve into human extremes. Herzog describes his upbringing in impoverished conditions, highlighting how these experiences fueled his desire to venture into the unknown throughout his career.
The Duality of Madness in Film
The exploration of madness is a consistent thread in Herzog's films, particularly through characters like those portrayed by Klaus Kinski. Herzog notes that while Kinski was often difficult and erratic, he delivered unforgettable performances that brought depth to insane characters. This duality of madness is not only a tool for storytelling but also reflects Herzog's fascination with the darker aspects of the human psyche. His aim is to create a cinematic experience that challenges both the actors and the audience to confront their own complexities.
Herzog's Perspective on Psychoanalysis and Introspection
Herzog expresses skepticism towards deep personal introspection and psychoanalysis, believing it often leads to unproductive navel-gazing. He maintains that while examining the darker parts of oneself can yield insight, over-analysis is unhealthy. Instead, he prefers to focus on the external world and its narratives, engaging more with the stories of others than reflecting excessively on his own. This philosophy underscores his artistic endeavors, where he seeks to illuminate the human experience without becoming entangled in personal trauma.
Herzog reflects on the curiosity that's fueled his career in the memoir, Every Man for Himself and God Against All, now out in paperback. The filmmaker and writer is drawn to extremes: extreme characters, extreme settings, extreme scenarios. But don't mistake him for a mad man like some of his film subjects: "You have to control what is wild in you. You have to be disciplined. And people think I'm the wild guy out there but I'm a disciplined professional," he tells Terry Gross.