

PC Music, Accelerationism, and Xenofeminism
Feb 10, 2021
Two friends of the show, Will and Anton, discuss their upcoming project on PC Music, hyperpop, accelerationism, and xenofeminism. They explore the unique digital use of space, facial framing, and audible intensity in generating concert experiences. They delve into topics like deconstruction of identity, hauntology, trans studies, and the relation of Queerness to future possibilities. Other chapters cover methodological challenges in studying music online, breaking through limits, and the production skills of PC Music.
Chapters
Transcript
Episode notes
1 2 3 4 5 6 7 8
Introduction
00:00 • 2min
PC Music: Exploring Hyper-Pop and Subversion
01:31 • 5min
Exploring Methodological Challenges in Studying Music and Sociality Online
06:32 • 3min
Relativism, Absolutes, and the Universal in Philosophy: Exploring Xenofeminism and PC Music
09:59 • 3min
Breaking through Limits: A Digital Festival Case Study
12:59 • 22min
The Celerity and Dexterity of PC Music's Production
35:08 • 13min
Anti-Hontology and the Redemptive Power of Lost Futures
48:10 • 10min
Gratitude, Q&A, Spin-off Podcast, and Upcoming Events
58:25 • 3min