The Comedy Fix Episode 53 - Don’t Think, React
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Aug 19, 2021 The hosts dive deep into the improv principle 'Don't think, react', exploring its meaning and relevance. They discuss how formal training might make performers overthink, causing hesitation in their choices. The conversation flows into the distinction between acting thought and character thought, highlighting when overthinking can hinder momentum. They recount a student who thrived by embracing stream-of-consciousness performance. Ultimately, the trio refines the principle to encourage presence and inspired responses, blending insights for both improv and scripted acting.
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Catchy Maxim Lacks Clear Meaning
- The phrase "Don't think, react" is widely used but vague and interpreted differently across improv schools.
- It can conflict with training that demands conscious structuring and game-finding, creating cognitive tension for performers.
UCB Training Made Me Think More
- Chris recalls learning "don't think, react" in college short-form and later feeling extremely in-the-head during UCB training.
- He contrasts early short-form freedom with UCB's formulaic, thought-heavy approach during auditions.
Prioritize Instinct In Short Form
- In short-form, avoid overthinking because the scene momentum and audience energy favor immediate, physical choices.
- Let instinct and physicality guide loud, clear responses rather than hunting for the 'best' joke.