Marianela Núñez, Principal dancer of the Royal Ballet and Opera, shares her journey from Argentina to becoming a celebrated ballerina. She reveals the emotional thrill of opening nights and the sacrifices made by her family. Marianela discusses the profound impact of Tchaikovsky's music in her performances and the challenges faced during her career, especially during the pandemic. With a cozy nod to her cats and a favorite blanket, she emphasizes the importance of community and resilience in both dance and life.
Marianela Núñez's journey highlights the courage and determination required to succeed in ballet despite cultural and language barriers at a young age.
Her post-performance rituals, including quiet reflections and customizing dance shoes, emphasize the emotional and physical dedication that defines her artistry.
Deep dives
Marianella Nunez: Journey from Argentina to Principal Dancer
Marianella Nunez began dancing at a remarkably young age in Argentina, inspired by a desire to pursue classical ballet. Moving to London alone at the age of 15 to join the Royal Ballet, she faced the challenges of adapting to a new culture while not speaking English. Despite these obstacles, her talent shone through, leading her to become a principal dancer in 2002. Her dedication and emotional connection to ballet have solidified her reputation as one of the leading figures in the art form.
The Emotional Experience of Performing
Opening nights at the Royal Ballet fill Marianella with unique excitement, as she describes the adrenaline rush that comes with every performance. After the show, she relishes the moment of winding down, often arranging flowers received from well-wishers while reflecting on the performance. This post-performance routine helps her process her emotions, along with drinking tea and spending time with her cats, making it a cherished part of her experience. The emotional journey from exhilarating performances to quiet reflections is vital to her life as a dancer.
Crafting the Perfect Dance Shoes
The preparation of dance shoes is an essential ritual for Marianella, with her sewing each pair to ensure they are suited to her needs. She dedicates about 30 minutes per pair, customizing them for comfort and performance. This is not uncommon among ballerinas, though Marianella emphasizes the personal nature of her method, resulting in unique shoes that reflect her style. The meticulousness of this process underscores the attention to detail that is crucial in her craft and highlights the physical toll ballet takes on her body.
The Impact of Ballet on Life and Identity
For Marianella, ballet represents a lifeline, providing happiness and solace even in difficult moments. She experiences profound joy and fulfillment when dancing, describing it as essential to her identity and a source of connection to her roots in Argentina. Her passion fuels her desire to excel and motivates her through challenges, especially during moments of self-doubt. This deep connection to her art form reinforces its importance both personally and culturally, revealing how ballet transcends mere performance for her.
Marianela Núñez is a Principal dancer of the Royal Ballet and Opera. Born in Argentina in 1982, Marianela knew she wanted to be a ballet dancer from the age of five and joined the Teatro Colón Ballet School in Buenos Aires when she was eight.
She dedicated herself to becoming a professional ballerina and had the full support of her parents despite having to leave home at fifteen to join the Royal Ballet in the UK. After spending a year at the Royal Ballet School and learning English from watching episodes of Friends, she joined the corps de ballet and worked her way up the company to become Principal Dancer.
She has danced the lead roles in the ballet repertoire on the London stage and around the world as a guest artist. In 2018, she celebrated her 20th anniversary with the Royal Ballet with a performance of lead roles in Giselle, The Winter’s Tale, Manon, Marguerite and Armand, and Swan Lake in her anniversary year. Director of The Royal Ballet Kevin O’Hare called her “one of the greats of her generation”.
Marianela has many awards for her dancing including the Laurence Olivier Award for Outstanding Achievement in Dance in 2013. She lives in London with her two cats.
DISC ONE: Adíos Nonino (“Goodbye Grandad”) - Astor Piazzolla
DISC TWO: Hoy Puede Ser Un Gran Dia (“Today Could Be a Great Day”) - Joan Manuel Serrat
DISC THREE: Dancing Queen - ABBA
DISC FOUR: Don’t Stop Me Now - Queen
DISC FIVE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler
DISC SIX: Adam: Giselle / Act 2: Lever du soleil et arrivée de la cour. Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge
DISC SEVEN: Count on Me - Bruno Mars
DISC EIGHT: I Can See Clearly Now - Johnny Nash
BOOK CHOICE: The Collected Works of Jorge Luis Borges
LUXURY ITEM: A cashmere blanket
CASTAWAY'S FAVOURITE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler
Presenter Lauren Laverne
Producer Sarah Taylor
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