Hilary Mantel, a best-selling author renowned for her novels about Thomas Cromwell, delivers a powerful lecture on Polish writer Stanislawa Przybyszewska. She examines Przybyszewska's obsessive relationship with history, which ultimately led to her isolation and early death. Mantel poses challenging questions about the sacrifices artists make for authenticity, the complexities of historical perception, and the importance of skepticism in today's 'post-truth' landscape. Her insights bridge past and present, illuminating the struggles of embodying history in literature.
Stanislava Przybyszewska's obsessive dedication to her writing ultimately isolated her from the world, leading to a tragic downfall in her mental and physical health.
The complex and strained relationship with her father significantly influenced Przybyszewska's artistic ambitions, reflecting how familial dynamics can shape a creative journey.
Deep dives
The Obsession with History
A Polish writer named Stanislava Prysybyshevska, also known as Stasha, exhibited an intense obsession with history that ultimately consumed her. Despite living in poverty and isolation, she dedicated herself to writing about the French Revolution, often at the cost of her physical and mental health. Her belief in her own genius and the quality of her work drove her to such extremes that she isolated herself from the outside world, sacrificing basic necessities such as food and warmth. This fixation revealed the dangers of allowing creative ambition to overshadow personal well-being and social connection.
The Impact of Family Legacy
Stasha's tumultuous relationship with her father significantly shaped her life and artistic ambitions. Born to a father who was an ambitious but ultimately failed writer, she idolized him and hoped to emulate his success, even as he introduced her to drugs and abandonment. This complicated dynamic fueled her desire to prove herself as a playwright, often directing her work towards themes of patriarchy and personal conflict. However, her father's mediocrity and his lack of support led to deep feelings of rejection and despair, reflecting the intricate ties between familial expectations and one's creative journey.
Struggle between Inner and Outer Lives
Stasha embodied the tension between her inner creative world and the harsh realities of her outer life. Although she craved connection with the outside world, her extreme dedication to her writing forced her into a self-imposed isolation, where she believed she could only be a writer if completely engrossed in her work. This led to a lack of balance in her life, as her material and emotional needs went unmet, further exacerbated by her drug dependency. As she neared the end of her life, her letters reflected a profound disconnection from reality, illustrating the struggle many artists face in maintaining equilibrium amid their creative pursuits.
Artistic Perfectionism and Its Consequences
Stasha's relentless pursuit of perfection in her writing ultimately led to her downfall, as she failed to find harmony between her artistic aspirations and the realities of narrative form. Her obsession with capturing the entirety of the French Revolution resulted in works that, while ambitious, became unperformable and overly dense. Rejections from publishers and the mismanagement of her plays in theaters undermined her confidence and exacerbated her feelings of inadequacy. Through Stasha's story, it becomes evident that an artist's need for validation must be balanced with the pragmatic understanding that compromise is often essential for effective storytelling.
The story of how an obsessive relationship with history killed the young Polish writer Stanislawa Przybyszewska, told by best-selling author, Hilary Mantel. The brilliant Przybyszewska wrote gargantuan plays and novels about the French Revolution, in particular about the revolutionary leader Robespierre. She lived in self-willed poverty and isolation and died unknown in 1934. But her work, so painfully achieved, did survive her. Was her sacrifice worthwhile? "She embodied the past until her body ceased to be," Dame Hilary says. "Multiple causes of death were recorded, but actually she died of Robespierre."
Over the course of these five lectures, she discusses the role that history plays in our lives. How do we view the past, she asks, and what is our relationship with the dead? The lecture is recorded before an audience in the ancient Vleeshuis in Antwerp, a city which features in Mantel's novels about Thomas Cromwell and the cosmopolitan world of the early Tudors. The lecture is followed by a question and answer session chaired by Sue Lawley.
The producer is Jim Frank.
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