We close out Season 3 with longtime friend of the pod and iconic artist, Cassils. We talk about the trajectory of Cassils's art career starting with early childhood paintings on genitals, to putting their body through peril as a means of waking up viewers to the struggles of the queer and trans experience. In Cassils's view, history does not repeat itself, but it rhymes. Their work is not only a vehicle for social change, it is steeped in the tactics of queer artist/activists of the 70s and 80s. Cassils uses their body heavily in their work, sometimes putting themself in precarious situations to convey the urgency and immediacy of the issues they are tackling. Cassils most recent piece draws inspiration from die-ins and the AIDS quilt. They will create a large scale cyanotype for Trans Day of Visibility at the end of the month at the Lincoln Memorial on the Mall in Washington D.C. Our conversation touches on a number of Cassils' pieces including Human Measure, Becoming an Image, In Plain Sight and and the throughline they weave through each. Their upcoming action with the NCET will take place on March 31st in D.C. To learn more about Cassils (or to take part in their TDOV action) visit their site -www.cassils.net - or follow them on IG @cassilsartist

CASSILS is a transgender artist who makes their own body the material and protagonist of their performances. Cassils's art contemplates the history(s) of LGBTQI+ violence, representation, struggle and survival. For Cassils, performance is a form of social sculpture: Drawing from the idea that bodies are formed in relation to forces of power and social expectations, Cassils work investigates historical contexts to examine the present moment.

This is our last episode of Season 3. Make sure to Subscribe, follow us on IG and TT or get on our email list at www.fuckyeahpod.com to not miss our return for Season 4!