Emily Witt is a freelance writer and the author of Future Sex.
“I think I had always thought that—maybe this is coming from a WASPy, protestant background—if I presented myself as overtly sexual in any way, it would be a huge turnoff. That they would see me as a certain type of person. They wouldn’t have respect for me. And I thought this both professionally—I thought maybe writing this book was going to be really bad for my career, that nobody would take me seriously anymore—and also that nobody would want to date me if I was too honest. In both counts the opposite happened.”
Thanks to MailChimp, Audible, and Wunder Capital for sponsoring this week's episode.
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emilywitt.net
Witt on Longform
[02:45] Future Sex (Farrar, Straus & Giroux • 2016)
[03:00] "Online Dating Diary" (London Review of Books • Oct 2012)
[03:15] Witt’s Archive at The Observer
[05:30] Witt’s Archive at Miami New Times
[05:45] "Cinema é Luxo" (n+1 • Oct 2009) [sub req’d]
[06:15] "Miami Party Boom" (n+1 • Mar 2010) [sub req’d]
[06:30] Gus Garcia-Roberts on Longform
[09:30] Thy Neighbor’s Wife (Gay Talese • Harper Perennial • 2009)
[10:00] "An Evening in the Nude with Gay Talese" (Aaron Latham • New York • Jul 1973)
[11:15] "That Room in Cambridge" (n+1 • Mar 2011) [sub req’d]
[19:15] "What Do You Desire?" (n+1 • Mar 2013)
[38:45] "The Trip Planners" (New Yorker • Nov 2015)
[48:00] How Music Got Free: A Story of Obsession and Invention (Stephen Witt • Penguin Books • 2015)
[48:15] Minnesota Monthly
[50:45] "Burning Man Diary" (London Review of Books • Jul 2014)
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