Jia Tan, "Digital Masquerade: Feminist Rights and Queer Media in China" (NYU Press, 2023)
Oct 29, 2024
auto_awesome
Jia Tan, an Associate Professor of Cultural Studies at The Chinese University of Hong Kong, dives into the intersection of digital media with feminist and queer activism in China. She introduces the concept of 'digital masquerade,' highlighting how technology aids in creative expression despite state censorship. Tan discusses the significant impact of the Feminist Five and the evolution of 'rights feminism.' Key topics include community-based digital filmmaking and the lively narratives emerging from queer film festivals, challenging societal norms in contemporary Chinese society.
The podcast explores 'rights feminism' in China, emphasizing its emergence amidst the tension between state censorship and grassroots activism.
It introduces the concept of 'digital masquerade', showcasing how queer and feminist identities utilize digital media for creative expression and activism.
Deep dives
Digital Activism and Rights Feminism
The podcast discusses how digital media shapes feminist and queer activism in China, emphasizing a new concept termed 'rights feminism'. This approach emerges against a backdrop of dual narratives: one portraying China's oppressive governance and the other highlighting neoliberal trends and commercial support for LGBTQ+ communities. For instance, Alibaba's promotion of same-sex marriage in the U.S. contrasts sharply with the governmental censorship of LGBTQ+ content within China. By examining these dynamics, the discussion aims to theorize media activism in a context that is both illiberal and neoliberal, opening the opportunity to understand similar movements in non-Western contexts.
The Feminist Five and Grassroots Activism
A significant focus of the conversation is on the Feminist Five, a group of feminists arrested in 2015 for advocating against sexual harassment, which ignited both national and international responses. Their arrest highlighted the growing tension between state control and grassroots activism, exemplified by a wedding celebration they organized to advocate for same-sex marriage rights shortly after their release. This pivotal event not only drew media attention but also emphasized the intersection of personal rights discourse with broader feminist movements in China. Such activism showcases the pivotal role of youth-led initiatives in raising awareness and pushing for legal reforms regarding gender and sexual rights.
Queer University and Video Activism
The podcast introduces Queer University, a community-based video-making workshop that has fostered queer storytelling through documentary filmmaking since 2012. This initiative enables participants to collaborate and produce short films, resulting in over twenty significant works that have circulated within queer film festival networks. An example discussed is the film 'Comrade Yue', which explores a rural coal miner’s struggle with his identity, using local dialect and accented monologues to challenge dominant narratives of Chinese-ness. This approach reflects a growing trend in queer activism to embrace diverse voices and experiences, particularly those outside urban middle-class contexts.
Digital Masquerade and Creative Lightness
The podcast delves into the concept of 'digital masquerade', which describes the multifaceted ways queer and feminist identities express themselves in the digital realm. This idea is encapsulated in the notion of 'creative lightness', highlighting the portability and accessibility of digital media that enables quick and playful engagement with serious issues, such as LGBTQ+ rights, while also allowing for emotional depth. Examples include videos on social networking platforms that blend humor with critical commentary, reflecting the complex landscape of queer representation amidst censorship. Furthermore, the discussion critiques the critique of homonormativity, suggesting that acknowledging the context of queer media's emergence is essential for understanding its significance in a restrictive environment.
Digital Masquerade: Feminist Rights and Queer Media in China(NYU Press, 2023) offers a trenchant and singular analysis of the convergence of digital media, feminist and queer culture, and rights consciousness in China. Jia Tan examines the formation of what she calls “rights feminism,” or the emergence of rights consciousness in Chinese feminist formations, as well as queer activism and rights advocacy. Expanding on feminist and queer theory of masquerade, she develops the notion of “digital masquerade” to theorize the co-constitutive role of digital technology as assemblage and entanglement in the articulation of feminism, queerness, and rights.
Drawing from interviews with various feminist and queer media practitioners, participant observation at community events, and detailed analyses of a variety of media forms such as social media, electronic journals, digital filmmaking, film festivals, and dating app videos, Jia Tan captures the feminist, queer, and rights articulations that are simultaneously disruptive of and conditioned by state censorship, technological affordances, and dominant social norms.
Jia Tan is Associate Professor of Cultural Studies in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong.
Qing Shen is a PhD candidate in anthropology at Uppsala University, Sweden.