The Film Comment Podcast

Cannes 2025 #9, with Justin Chang, Tim Grierson, and Alison Willmore

May 25, 2025
Join film critics Tim Grierson, Justin Chang, and Alison Willmore as they wrap up Cannes 2025 with insights from the festival's highlights. They delve into Bi Gan's 'Resurrection', analyzing its unique storytelling and emotional resonance. Kelly Reichardt's 'The Mastermind' sparks discussion on art and crime, while Saeed Roustayi's 'Woman and Child' captivates with its poignant exploration of love and justice. The trio also reflects on Wes Anderson's evolving themes and the Dardenne brothers' complex portrayal of motherhood, ensuring a vibrant dialogue brimming with cinematic passion.
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INSIGHT

Resurrection's Segmented Narrative

  • Be Gone's Resurrection consists of five segments spanning about 100 years, each featuring a "phantasmer" who dreams in a society where dreaming is outlawed.
  • The film's segmented structure refreshes the viewer's experience, telling variations of the same story across genres and eras.
INSIGHT

Resurrection as a Love Letter

  • Resurrection is a love letter to cinema, blending references to film history with resonant themes about the cost and beauty of dreaming and movie watching.
  • It captures the paradox of cinema as both life-draining and life-affirming, especially for film lovers at Cannes.
INSIGHT

The Mastermind's Layered Tone

  • Kelly Reichardt's The Mastermind explores the unraveling consequences of a small-town 1970s art heist.
  • The film blends comedic heist elements, slow cinema style, and timely political context with powerful intimate character moments.
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