WHAT WENT WRONG Below The Line - DP & Camera Operator (Donnie Darko)
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May 22, 2025 Cinematographer Steven Poster, with nearly 50 years of experience, and Dave Comides, a local 600 camera operator, delve into the intricate filmmaking behind Donnie Darko. They discuss the creative collaboration with director Richard Kelly, the technical challenges faced on set, and the importance of spontaneity. Anecdotes about filming with unique elements, like a giant rabbit, highlight the unpredictable nature of filmmaking. They also reflect on the film's transformation from a box office disappointment to a cult classic, showcasing their dedication and artistry.
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Intensive DP-Director Collaboration
- Steven Poster requested four complete days alone with Richard Kelly to deeply understand the vision for Donnie Darko.
- This intensive collaboration helped them meticulously plan the entire film shot by shot before production began.
Tone Mirrors Teenage Emotional Contrast
- The film's tonal contrast reflected the darkness of teenage years and supported the story emotionally.
- Steven Poster and Richard Kelly had a brotherly creative partnership despite their age difference.
From One Long Take to Five Shots
- Richard Kelly originally wanted one continuous 20-minute tracking shot entering the school, which DP Steven Poster said was unfeasible.
- They rehearsed and broke it into five manageable shots, using innovative in-camera speed ramping to execute it live.