Moving pictures (de filums) were heavily censored but the state didn’t officially scrutinise other visual art forms. Censure by covert means was the preferred method to control subversive art. Guest: Dr Róisín Kennedy author of Art and the nation state: the reception of modern art in Ireland (2021)

· Part of the emotional response comes from a sense that modern art is conning us, hoodwinking us. Dr Róisín Kennedy

· Censorship culture made access to visual art elitist. Dr Róisín Kennedy

· The production of art in Ireland was directly affected by censorship in that artists produced landscapes as opposed to nudes. Dr Róisín Kennedy

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Harry Clarke ‘Geneva Window’ https://artsandculture.google.com/story/harry-clarke%E2%80%99s-geneva-window-and-the-irish-free-state-the-wolfsonian-florida-international-university/QgXRl5iSZDgXIQ?hl=en

George Rouault ‘Christ and the Soldier’ (1930)

https://www.facebook.com/thehughlane/photos/a.142685499153995/4103076829781489/?type=3

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Indecent images: Harry Clarke and Georges Rouault