
The Next Reel Film Podcast The Big Doll House • Member Bonus
Apr 30, 2025
10:11
“Get it up or I’ll cut it off.”
Roger Corman's Foray into Women in Prison FilmsIn 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women. Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House.Prison Break: Exploring Power, Agency, and ExploitationThe film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions.Behind Bars: Production and Performance
Roger Corman's Foray into Women in Prison FilmsIn 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women. Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House.Prison Break: Exploring Power, Agency, and ExploitationThe film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions.Behind Bars: Production and Performance
- Pam Grier and Sid Haig deliver standout performances that elevate the material
- The film's use of humor helps offset some of the more exploitative elements
- Shot back-to-back with other prison films in the Philippines to maximize efficiency
- Interesting character dynamics between the six main prisoners
- The film's ending strikes a lighter tone compared to similar genre entries
- Watch this on Apple or Amazon, or find other places at Letterboxd
- Theatrical trailer
