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Published in 1971, 'Fear and Loathing in Las Vegas' is a novel written by Hunter S. Thompson, presented as a blend of journalism and fiction. The story follows journalist Raoul Duke (Thompson's alter ego) and his attorney, Dr. Gonzo (based on Oscar Zeta Acosta), as they embark on a trip to Las Vegas to cover the Mint 400 motorcycle race. However, their assignment quickly devolves into a chaotic and surreal journey fueled by a variety of recreational drugs. The novel critiques American society, consumerism, and the failure of the 1960s counterculture, while also exploring the concept of the American Dream. The narrative is characterized by its blurred lines between reality and fiction, reflecting Thompson's signature Gonzo journalism style.

In this book, Neil Postman argues that the contemporary world is more akin to Aldous Huxley's 'Brave New World' than George Orwell's '1984'. Postman contends that television's emphasis on entertainment has led to a decline in rational discourse and the trivialization of politics, education, and religion. He contrasts the print-based culture of the 19th century with the televisual culture of the 20th century, highlighting how the medium of television inherently promotes incoherence and triviality, turning serious information into a form of entertainment.

In this book, Huxley recounts his first psychedelic experience with mescaline in May 1953. He describes how the drug altered his perception of the world, making ordinary objects and experiences take on profound aesthetic and philosophical significance. Huxley draws on various philosophical and spiritual traditions, including those of William Blake, Meister Eckhart, Plato, and Buddhism, to contextualize his insights. The book challenges conventional views on perception and reality, suggesting that certain substances can reveal deeper aspects of existence that are normally filtered out by the human brain's 'reducing valve'