When novelists borrow from real horror… Red Széll joins us to trace the tangled line between actual crime and literary fiction. From 19th-century murder pamphlets to modern thrillers like Sadie and A Good Girl’s Guide to Murder, does storytelling serve truth better when it breaks free from fact? We reflect on the allure, and the ethical dilemmas, of turning tragedy into story.

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Crime, Fiction, and the Ethics of Storytelling