Mat is a producer, mixing, and mastering engineer, and co-owner of Mobtown Studios in Baltimore.

Mat has spent the better part of his life fascinated by recording and manipulating sound. Known as a “musician’s producer”, he’s a drummer, is analog synth-obsessed and takes great pride in his collection of theremins, vocoders and vintage tube gear.

He’s worked with an eclectic and diverse range of artists, including Future Islands (Thrill Jockey / 4AD), Waka Flocka Flame (Warner Bros.), Sun Club (ATO), Mark degli Antoni (David Byrne/Soul Coughing) and the Baltimore Symphony Orchestra.

Mat earned a BS from the renowned Music Recording program at Middle Tennessee State University in Nashville. His career spans 20 years, including stints at Warner Bros. Records and DC101.

IN THIS EPISODE, YOU’LL LEARN ABOUT:

Using analog vs. digital gear for mastering
How working with limitations will improve your audio skills
Mixing and mastering on headphones
The secret to mixes that translate
What to listen for with reference tracks
Battling imposter syndrome
Avoiding debt while starting a studio
Niching down your services and genres
Creating intake forms to help give you direction and to reduce revisions
Knowing when to take a minimalist approach with your work
Mastering software vs traditional DAWs
Mastering to specific levels: Does it matter how loud your masters are?
Do you need expensive monitors/cables to hear mixes properly?

To learn more about Mat Leffler-Schulman, visit: https://matlefflerschulman.com/

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The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com
The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/

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Thanks for listening!

#1535 - Q&A: How can this listener attract new interest in “old skills?”