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The New Yorker Radio Hour

A Lakota Playwright’s Take on Thanksgiving; Plus, Ayelet Waldman on Quilting to Stay Sane

Nov 29, 2024
Larissa FastHorse, a groundbreaking Lakota playwright and the first Native American woman to have a play on Broadway, discusses her thought-provoking work 'The Thanksgiving Play.' She reflects on her journey of navigating her Indigenous identity and the complexities of representing Native narratives in theater. Meanwhile, author Ayelet Waldman shares her therapeutic experience with quilting as a coping mechanism for stress, emphasizing how it brings her solace during tough times. Both guests intertwine art with personal healing in powerful ways.
24:45

Podcast summary created with Snipd AI

Quick takeaways

  • Larissa FastHorse's experience as the first Native American woman with a Broadway play informs her unique storytelling perspective, bridging cultural gaps.
  • The Thanksgiving Play critiques performative wokeness in attempts to represent Indigenous culture, revealing the complexities of identity and representation in theater.

Deep dives

Larissa Fast Horse's Impactful Background

Larissa Fast Horse emphasizes her unique heritage as the first Native American woman to have a play produced on Broadway. Growing up in a white family while being aware of her Lakota identity shaped her perspective and creative voice in theater. This duality influences her approach to storytelling, enabling her to navigate and translate contemporary Indigenous experiences for predominantly white audiences. Her background in classical ballet also contributes to her work ethic, incorporating movement-based elements into her plays to express narratives without relying heavily on text.

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