Friedrich Nietzsche (1844-1900) is one of the most radical, untamed and influential philosophers of all time. Often categorized as an Existentialist, Nietzsche is remembered for his blistering and unapologetic denouncement of religion, especially Christianity. Nietzsche declared that “God is dead” and spent a large portion of his intellectual efforts demolishing the remnants of Christianity’s influence, including the moral framework established by two thousand years of cultural dominance. Genealogy of Morals is one of his last works, and seeks to expose the sinister roots of Christian ethics, explore the true rise of morality among humans, and predict the inevitable collapse of society into nihilism until a “Superman” will lead humanity to greater heights.

Notes

The featured painting is an oil on canvas by Caspar David Friedrich, painted in 1818. It is titled, "Wanderer Above the Sea of Fog." I selected it because it is widely considered one of the greatest masterpieces from the Romantic Era––an era that was destroyed by the horrors of the 20th century. Furthermore, it seems to beautifully symbolize man as Nietzsche sees him. A lone wanderer navigating a mysterious and unknown future. The tone and color matches Nietzsche's work brilliantly.
The featured piece is by Hanz Liszt, a Hungarian composer of the 19th century and contemporary of Nietzsche. The piece, Sonata in B Minor, is one of the most influential and powerful sonatas after Beethoven's. Similarly to the chosen artwork, it, too, marks the best and last one of its kind before the death of Romanticism after World War 1.

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Nietzsche: Introduction to Genealogy of Morals (1/3)