The age-old question of whether works created with explicit ideological intent can achieve artistic greatness has long divided critics, artists, and audiences. From Leni Riefenstahl’s films glorifying Nazism to the bold, constructivist posters of the Soviet era, history offers uncomfortable affirmations of propaganda transcending its purpose to become enduring art.

Recently, this debate has been reignited by Aditya Dhar’s Dhurandhar, a sprawling spy thriller. While critics have lambasted it for selectively blending real events with fiction to push ultra-nationalist narratives, defenders of the film have argued that its technical finesse, immersive storytelling, and raw intensity elevate it beyond mere messaging, much as in historical precedents, where aesthetic power outlives ideological baggage. Can propaganda be great art?

Guests: Prof Asim Siddiqui teaches English Literature at Aligarh Muslim University, writes opinion pieces on Hindi cinema, and is the author of Muslim Identity in Hindi Cinema: Poetics and Politics of Genre and Representation.

Sudhanva Deshpande is an eminent theatre personality, author, and film actor.

Host: Anuj Kumar

Edited by Sharmada Venkatasubramanian

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Ep. 202: Robbie Gould and Mock Drafts