77 | Finding, Acquiring, and Keeping A Literary Manager w/ Charlie Gogolak

1

Introduction

00:00 • 2min

2

How Is Your Week Going?

01:49 • 3min

3

Is Your Family Going to Cope Without You?

04:34 • 2min

4

How to Get Rid of Stress in a Movie

06:18 • 4min

5

The 30 Thousand Foot Area

10:29 • 3min

6

What Is the Difference Between a Manager and an Agent?

13:15 • 2min

7

How to Get a Client to Buy a Writer?

14:49 • 2min

8

What Makes a Writer Stand Out?

16:35 • 2min

9

What Is Your Voice?

18:12 • 2min

10

Is the Queery Letter a Viable Way to Get a Manager's Attention?

20:13 • 2min

11

Is There a Tipping Point With Querying?

21:50 • 2min

12

Are There Specific Contests That You Would Like to See for Your Clients?

23:33 • 2min

13

Are There Contests?

25:11 • 2min

14

Writing in Genras

26:46 • 2min

15

You Like My Writing, but You Don't Know What to Do With Me

28:38 • 2min

16

Is Hollywood Changing So Quickly?

30:16 • 2min

17

I'm a Director, I'd Like to Do It All.

31:49 • 2min

18

Are You a Writer?

33:29 • 2min

19

Writing a Deal

35:05 • 2min

20

Is There a Right Way?

36:51 • 2min

21

How Do You Work With Your Plins in Turns?

38:23 • 1min

22

O Owatat's More in the Future World, Right?

39:46 • 2min

23

The Greatest Service You Can Do to a Young Writer

41:44 • 2min

24

Writing Is a Wonderful Job, It's a Privilege to Work Er Business

43:46 • 2min

25

Is It Hard Not to Take It Personally?

45:24 • 2min

26

I'll Work on Succession for Free, Right?

47:39 • 2min

27

What Do You Like as a Producer?

49:12 • 2min

28

Can You Pitch Well?

50:52 • 2min

29

What Brings You the Most Joy About Your Job?

52:29 • 2min

30

Slash the Screen Writing Life

54:08 • 2min