
Astonishing Legends The Patterson-Gimlin Film Part 2
Apr 21, 2019
01:53:28
Film Processing Mystery
- Patterson's brother-in-law, Al Diatley, claims to not remember where the film was processed.
- This has raised suspicion among skeptics, given Diatley's opportunistic nature and potential financial motivations.
Possible Discreet Processing
- Diatley's wealth and connections could have facilitated discreet film processing, potentially explaining the secrecy.
- The possibility of off-the-books processing at a private lab or even a stag film facility is explored.
Film Lab Censorship
- Forrest shares an anecdote about a film lab owner who defaced a student's vampire film due to religious objections.
- This highlights how film processors had access to and could react to the content of developed films.
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Introduction
00:00 • 4min
The Patterson Gimlin Film - Part Two
04:16 • 2min
Film Speed
06:04 • 3min
Do You Know Where the Film Was Processed?
08:53 • 2min
How to Get Away From the Kodak Techna Colord Laboratory
10:50 • 2min
The School of Cinnamon
13:18 • 2min
Would They Have Been Able to Process a 16 Millimeter Stag Film?
14:57 • 3min
Sasquach the Apes Nus Regarded by the Bigfoot Field Researchers Organization
17:52 • 3min
Progressive Presents Forest Metaphors About Bundling Your Home and Auto With Progressive
21:19 • 3min
Do You Know Where the Hoax Was Shot?
24:11 • 2min
Bigfoot - The First News Story in the Time Standard
25:45 • 2min
Those Are the Records We Talked About, Ye Mak Pat a Patty
27:48 • 2min
You Must Bein the Beans
29:38 • 3min
The Humanoid Creature in the Creek Bed
32:33 • 2min
Bob Gimlin's Recollections of a Sasquatch Like Creature
34:50 • 2min
The Skunk Ape
37:04 • 2min
Is It a Bigfoot Family?
38:49 • 2min
Roger Patterson - Is This a Hoax?
40:26 • 2min
Do You Know What a Tracking Dog Can Do?
42:03 • 2min
Gorilla Footprints
43:49 • 2min
Was It the First Hoaxer to Use Human Footprints?
45:25 • 2min
Is Bigfoot More Human Than Ape?
47:02 • 2min
The Bigfoot Sightings
49:06 • 5min
The Dogs Down by Don Abbott
53:46 • 4min
Black Skull
57:40 • 2min
A Sageta Crest Is Related to Size, Not Sex
59:21 • 2min
The Nature Films of the Seventies
01:01:36 • 3min
The Making of Bigfoot, the Inside Story by Gregg Long
01:04:57 • 2min
Aldatley's Interview With Gregg Long
01:07:16 • 2min
Natra Don't Ay, You've Got Exclusive Rights
01:09:03 • 2min
Roger Patterson - Is This a Hoax?
01:10:51 • 2min
Is This Film Evidence Enough?
01:12:22 • 2min
Is Bigfoot a Hoax?
01:14:06 • 3min
The Typical Family Dynamics
01:16:43 • 4min
Is There a Scientific Approach to It, or Is It Just a Bear?
01:20:29 • 4min
The Patterson Gimlin Film
01:24:38 • 2min
The Interviews With Roger Patterson
01:26:54 • 3min
Bob Gimland's Involvement in the X Creatures
01:29:30 • 3min
Bob Gimlin's Hoax
01:32:18 • 2min
The Ghost and the Jar
01:34:12 • 2min
Why Is It So Hard to Shoot at a Creature on the Film?
01:36:17 • 2min
Gregg Long's Book Is Not the Definitive Answer Against All This
01:37:56 • 3min
Bob Gimlin's Lawsuit Against Bob Patterson
01:40:41 • 5min
What Did Aldatley Say About Him?
01:45:30 • 3min
Do You Think That Footage Is a Hoax?
01:48:12 • 2min
I Don't Believe in Bigfoot, but You're Going to Have to Find Me Some Bones
01:49:51 • 4min
The Patterson Gimlin Film, Part Two
01:53:49 • 3min
What if you had spent years searching for something elusive, something you believe existed that most didn't, and then one day you finally happened to capture it on film? What would be your immediate next steps if you wanted to present it to the world? In the days before instant media uploads to the internet, where would you take the film and who would you show it to first if you wanted to be taken seriously? Roger Patterson had thought he and Bob Gimlin had captured irrefutable proof of Bigfoot, next to bringing the beast itself out of the woods. Little could he realize that every action and claim going forward from that moment of filming would be analyzed and criticized for the rest of his life, in addition to his integrity. Whether out to prove authenticity or a perpetrate a hoax, in either case, the reaction to the film was predictable. From the few scientists who bothered to look, to the curious public, some believed, some scoffed, some didn't know what to think. What we know now from Patterson and Gimlin's story, is that indirect evidence is not enough for most, you need to produce a body, but even then there are those who will refuse to believe. What we also know is that for Patterson, and in turn Gimlin, providing this film as evidence turned out to be much more trouble than a benefit and much more than they bargained for. Realizing what these men went through, if you were to one-day capture extraordinary evidence, would you think twice about sharing it?
