#504: The Eternal Question, Pt. 2 — Eternity

David Freyne’s new Eternity shoves a thematically rich afterlife scenario into a romcom-shaped container, resulting in an above-average example of the genre that nonetheless feels like it’s only scratching the surface of its narrative potential. That leaves us with a lot of logistical questions to mull in our discussion of the film — several of which Tasha addressed in her pair of conversations with Freyne over at Polygon — and also a lot of points of contrast when we bring Hirokazu Kore-eda’s After Life back in for Connections. After Life and Eternity look and feel very different as they navigate the ins and outs of their respective postmortem bureaucracies, but both are ultimately concerned with characters being forced to make a single choice that will define their afterlives, what that choice says about what truly matters, and what the things we most value say about us.  Those ideas pop up again in Your Next Picture Show, where Tasha offers an enthusiastic recommendation for the 2020 Edson Oda film Nine Days as an unofficial companion piece to After Life.

Please share your thoughts about After Life, Eternity, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Next Pairing: Josh Safdie’s Marty Supreme and Robert Rossen's The Hustler

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