Carol is a modern Christmas classic. American director, screenwriter and playwright Phyllis Nagy fought for decades to bring this heart-wrenching tale to the screen. The film is a story of forbidden love between two women: Therese, an aspiring female photographer played by Rooney Mara, and Carol, a glamorous older woman played by Cate Blanchett. Set in 1960s New York, the film’s a raw, romantic drama set against a snowy festive backdrop that accentuates the emotion of Carol and Therese’s longing to be together, in a society that won’t allow it.
Phyllis adapted the story from an acclaimed 1952 novel by Phyllis’s friend, the late, great Patricia Highsmith. Bringing The Price of Salt, as the novel was originally titled, to screen involved overcoming several hurdles, not least a film industry that was then reluctant to give a voice to LGBTQ stories. Eventually made for release in 2015 with Todd Haynes in the director’s chair, the movie became an instant cult smash, beloved by LGBTQ audiences and celebrated all over again every December since.
Here’s what Phyllis had to say about her 20-year struggle to get Carol made, the subtle screenwriting details that decorate Carol and Therese's relationship, why there'll never be a sequel and more.
Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. All proceeds go to Black Minds Matter UK, the NHS Charities Covid-19 Appeal and the Film and TV Charity.
Script Apart is hosted by Al Horner and produced by Kamil Dymek, with music from Stefan Bindley-Taylor. You can follow Script Apart on Twitter and Instagram. You can also email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from Caveday, providing focused group work sessions to a worldwide community of writers and creatives via Zoom, and Script Sirens, a collective of female and non-binary writers from the West Midlands, UK whose new six-part audio horror anthology Siren Screams is available now on Spotify.

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