What language should we use for our experience of the technological? There’s so much chatter about AI, and yet so often it’s framed by a language inherited from science and technology. Given technology’s cultural and societal implications, we need thoughtful folks in the arts and humanities creating linguistic interventions and modes of understanding

Which is why I was so delighted to host Nora—a writer, critic, curator, and educator whose work moves fluidly across fields to make sense of how technology reshapes culture, thought, and possibility. She’s one of the sharpest interpreters of algorithmic systems and the ways they mediate reality, but what makes her writing distinct is that it’s also deeply imaginative, poetic, and alive to the weird, the magical, the un- and not-yet-articulated.

So, after a long summer hiatus, I'm thrilled to bring Urgent Futures roaring back with this illuminating conversation with Nora Khan.

Support the show by checking out: ZBiotics (Decrease impact of hangovers. Code: JESSEDAMIANI for 10% off), MUD\WTR (43% off starter kits), 1Password (simplify your life and increase digital safety), Mission Farms CBD (healthy, effective CBD for relief, sleep, and wellbeing—25% off with email), NordVPN (the simplest way to protect yourself online, 74% off 2-year plans).

BIO: Nora N. Khan is an independent critic, essayist, curator, and educator based in Los Angeles, where last year she served as Arts Council Professor at UCLA in Design Media Arts. Her writing on philosophy of AI and emerging technologies is referenced heavily across fields. Formally, this work attempts to theorize the limits of algorithmic knowledge and locate computation’s influence on critical language. Her books are AI Art and the Stakes for Art Criticism (2025), Seeing, Naming, Knowing (2019) and Fear Indexing the X-Files (2017), with Steven Warwick. She is a member of the Curatorial Ensemble of the 2026 edition of Counterpublic, one of the nation’s largest public civic exhibitions, focused next on ‘Near Futures’. She was the Co-Curator with Andrea Bellini of the Biennale de L’Image en Mouvement 2024, A Cosmic Movie Camera, hosted by Centre d'Art Contemporain Genève, and also curated Manual Override at The Shed (2020).

CREDITS: This podcast is edited and produced by Adam Labrie and me, Jesse Damiani. Adam Labrie also edited the video version of the podcast, which is available on YouTube. The podcast is presented by Reality Studies. If you appreciate the work I’m doing, please subscribe and share it with someone you think would enjoy it.

Find more episodes of Urgent Futures at: youtube.com/@UrgentFutures.

Get full access to Reality Studies at www.realitystudies.co/subscribe

Former Knicks Beat Writer Mike Wise Talks Knicks vs Heat Rivalry & Current State Of The Team