Fifty years ago, there was no such thing as a Canadian music industry…well, at least not compared to the U.S. or the UK…we had bands that played gigs and recorded singles and albums…but there wasn’t much of an infrastructure to support a domestic scene…
Too few recording studios…a lack of experienced promoters, managers, and producers…there was a tiny collection of domestic record labels…and there was a steady drain of talent to the united states…if you wanted to make it really big, you had to leave the country…that’s kind of discouraging, right?
And Canadian radio stations weren’t helping…there was a perception that audiences did not want to hear much of this domestic music because, well, it wasn’t very good…it was inferior to all the music coming from America and England…this contributed to the overall opinion with the general public that Canadian music just wasn’t worth anyone’s time…
At the same time, though, it didn’t seem right that our musical culture and our music scenes (such as they were) be overwhelmed by foreign powers…Canadian artists were getting smothered in the crib…something needed to be done…and five decades ago, something was done, beginning on January 18, 1971…
It was difficult, expensive, and, in some quarters, wildly unpopular…but it turned Canada into a global musical powerhouse…this is fifty years of CanCon…
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