
Stemming Financial Crime in Art and Antiquities, with Steve Schindler and Katie Wilson-Milne
Financial Crime Matters
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The Vulnerability of the Art Market
Sally Kohn: Can you sort of reverse engineer for me what does suspicious activity look like in this market? That's part of where I'm going and we mentioned antiquities out of, for instance, Syria and ISIS using those to fund its activities. What are the telltale signs as you're dealing with these kinds of objects; maybe then broadly into some of the other art illicit transactions that are going on? Steve Rottenberg: Most people who are involved in the art market readily admit and understand that it is a vulnerable market. We have an industry that has exploded in market value but still behaves as if it's the sleepy little industry from 100 years ago.
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