The End of the World

The film works best and most powerfully when it's communicated through minor emotional changes in an actor's face. The film is always slightly on the outside. It can't really successfully get inside of people. You have to do it by the externality. And it's done that about as well as could possibly be done. Both that criticism and mine are based on this sort of very unfashionable film criticism which is sneered up, which is basically, why didn't you make a different film?

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