
72 | Three-Dimensional Character Toolbox: Wants, Desires, and Agency
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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The Secrets of the Ensamble Film
In creating the structure of an ensamble film with a lead, was there any insight or anything you learned in doing that? Or what was the trickies part? The first big thing i did was figet wi my protagonist was. Tried to figure who would be the most supportiveho who were different enough from him. And then once i had that, i was able to sort of go through the i sand which which characters are ing to play off of him best for ti this team and what they have in common.
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