Is the Digital Avatar Really Scalable?

2min Snip

00:00

Play full episode

Summary

Transcript

Episode notes

I think the technology will get real, because right now, like when you play a video game, you open a character creation screen. So it's like, you know, like there will just be better interfaces and more like it'll be all encompassing in the future. Did you ever do second life? It was one of the earlier VR environments. And it was bad because there were no goals to achieve.

Changing technologies have always affected how we produce and enjoy art, and music might be the most obvious example. Radio and recordings made it easy for professional music to be widely disseminated, but created a barrier to its creation. Nowadays computers are helping to reverse that trend, allowing casual users to create slick songs of their own. Not everyone is equally good at it, however; Grimes (who currently goes by c, the symbol for the speed of light) is a wildly successful electronic artist who writes, produces, performs, and sings her own songs. We dig into how music is made in the modern world, but also go well beyond that, into artificial intelligence and the nature of digital/virtual/online personae. We talk about the birth of a new digital avatar -- who might be called "War Nymph"? -- and how to navigate the boundaries of art, technology, fashion, and culture. Her new album Miss Anthropocene will be released in February 2020.

Support Mindscape on Patreon.

Grimes, or c, studied neuroscience at McGill University before turning full-time to music. Her previous albums include Geidi Primes, Halfaxa, Visions, and Art Angels. Her latest album, Miss Anthropocene, channels the goddess of climate change. On December 5th in Miami, she will be orchestrating the one-night-only rave Bio-Haque.