The film's reputation begins to build in the late 40s and through the 50s. It has become everyone's greatest American film, if not the greatest film of all time. By narrowing the focus down, was it or was it not a portrait of William Randolph Hearst? Suddenly, people saw that there was much more to it than just entertainment.
Melvyn Bragg and guests discuss Orson Welles' film, released in 1941, which is widely acclaimed as one of the greatest, if not the greatest, films yet made. Welles plays the lead role of Charles Foster Kane, a newspaper magnate, and Welles directed, produced and co-wrote this story of loneliness at the heart of a megalomaniac. The plot was partly inspired by the life of William Randolph Hearst, who then used the power of his own newspapers to try to suppress the film’s release. It was to take some years before Citizen Kane reached a fuller audience and, from that point, become so celebrated.
The image above is of Kane addressing a public meeting while running for Governor.
With
Stella Bruzzi
Professor of Film and Dean of Arts and Humanities at University College London
Ian Christie
Professor of Film and Media History at Birkbeck, University of London
And
John David Rhodes
Professor of Film Studies and Visual Culture at the University of Cambridge
Producer: Simon Tillotson