Melwar: There's two almost contradictory points you bring up, which is, a, don't overload it with emotion, and at the same time, don't try to pretend you don't have any emotion. How do you balance these two extremes? And i know they're extremes, but how do you find that fuzzy line in the middle when you're writing memoir? You don't boy it' con like a comic. Ahn, so there really is this kind of complete unpacking and complete depiction in a very cynematic way. So the effect is out there. The drama occurs in the audience as supposed to within you.

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