Keith Underwood (Part 1): On the Art of Imitation, and How to Glean Transformative Insights From Great Musicians to Level Up Your Playing.
The Bulletproof Musician
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How You Changed Every Sound?
When julius baker came to new york in 19 forty, i think it was 19 40, eight. He, we used to play duets together, and when he came to my apartment, i thelli, i never heard a flute make that kind of control brodo. And then eventually, somebody, people that i taught had got an orchestra job as debvy bearings - she just retired as te picklo player in the dalla symphony. And i taught her fabrado using slowed down casetts of baker. I slowed theire bebrato, falancev a seted tis. Then ded deby's teacher eventually called me when she got in
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