Meg mcgarta: Art can't be bi almost by definition. Kennegy's work is not jarring. It's not challenging. In the aesthetics of the critical world, that makes it a failure. We live in this little world where we believe our opinions about art are simply better and more meaningful than others. That's just the truth of what it means to be part of this kind of artistic, critical, intellectual class.
Love it or hate it, but you've definitely heard it: the so-called "smooth jazz" of saxophonist Kenny G. Filmmaker Penny Lane talks about her documentary, Listening to Kenny G with EconTalk host Russ Roberts. They discuss the pursuit of perfection, the power of vulnerability in art, and why Kenny G is loved by the people and reviled by the critics.