Sharing a personal experience, especially a traumatic one, is a particularly popular scripted podcast form. Memoir done well often shoots to the top of the podcast charts or the bestseller list. It moves us, leaves us breathless, inspires standing ovations and prompts us into conversations and confessions of our own. Sometimes memoir creates change.
But memoir produced without first grappling with why your experience matters to others can sound cheap, sensation-grabbing, and empty. As listeners, readers, and viewers, we are bombarded with confessions.
There is a fine line between transformative and indulgent.
Moreover, stories of heartbreak are hard to choose to listen to these days, because the world is showering us with trauma.
Given the circumstances, why make memoir?
The decision to make the private public isn’t easy. Nor should it be.
In the first episode of Sound Judgment, Season 4, I explore this question with producer Maribel Quezada Smith, who shares her extraordinary experience with life and death in The Pulso Podcast piece, “The Latino Experience of Fertility: A Story of Pregnancy Loss.”
It took Maribel two years to write and produce this remarkable story about the birth of her son — and the death of her daughter. Her story succeeds, in part, because she identified something fresh: Miscarriage and other forms of pregnancy loss are particularly common in the Latino community, Pulso’s audience. And so is the incredible societal pressure to bear children, setting up an impossible, often hidden, conflict.
That her story succeeds in transforming, not indulging, is evident in the piles of grateful responses she received from listeners who shared her experience, but who had never heard their story reflected out loud. Shame and secrecy had dogged their lives. Maribel’s story brought in the light.
Along the way, Maribel had to answer several questions for herself about motivation, format, theme, mood, and point of view. Which private moments should she capture on tape? How much could she bear? To whom did she owe privacy? Which scenes and reflections would create momentum — and which pieces would she have to leave out?
Maribel Quezada Smith is a bilingual video and podcast producer and the founder of Diferente Creative. Her video credits include producing TV shows for Discovery Networks, Netflix, TLC and A&E, and digital content for brands like AARP, NBC GolfNow and SquadCast FM. Her podcasting credits include Sacred Scandal (iHeart), Birdies Not BS and Pulso Podcast, to name a few. In 2021, Maribel co-founded BIPOC Podcast Creators, an organization devoted to amplifying the voices and stories of people of color.
Maribel’s passion is creating meaningful, standout content.
Improve your storytelling Check out our popular workshops on interviewing, story editing, story structure, longform narrative, audience engagement, guesting, scriptwriting and more.
Hire Elaine to speak at your conference or company. Subjects include: Effective Storytelling; Communicating for Leaders; Communicating about Change; Mastering the Art of the Interview; Success in Guesting, and much more.
Discover our strategic communication services and coaching for thought leaders using storytelling tools to make the world a better place. Serving writers, podcasters, public speakers, and others in journalism & public media, climate change, health care, policy, and higher education. Visit us at www.podcastallies.com.
Subscribe to Sound Judgment, the Newsletter, our twice-monthly newsletter about creative choices in audio storytelling.
Connect:
Facebook | LinkedIn | Instagram
✉️ Email Elaine at allies@podcastallies.com
💜 Leave a review on Apple Podcasts
🟢 Leave a rating on Spotify
🗣️ Share the show by word of mouth and on your socials
Help us find and celebrate today’s best hosts
Who’s your Sound Judgment dream guest? Email me: allies@podcastallies.com. Because of you, that host may appear on Sound Judgment.
Credits
Sound Judgment is a production of Podcast Allies, LLC.
Host: Elaine Appleton Grant
Podcast Manager: Tina Bassir
Production Manager: Andrew Parrella
Audio Engineer: Kevin Kline
Production Assistant: Audrey Nelson
