Introduction

When reality dating fans tune into their favorite shows like “The Bachelor,” they expect to see dramatic rejections, hateable villains—all the staple elements of the genre. These formulas keep audiences watching and keep the money rolling in for TV networks. And for a relatively small price—networks don’t have to pay teams of writers, and sometimes they don’t even pay the cast. But while corporations profit, there is a hidden cost for the people who make these shows so entertaining. On this episode, we’ll hear about the long-term costs of making reality dating shows from Nadia Jagessar, a contestant on “Indian Matchmaking,” as well as former “Bachelor” producers Jazzy Collins and Michael Carroll.